Wednesday, 29 June 2005

Back to Arty Stuff

My paper and Fabric deco is turning out pretty well. Most of the green backgrond is fabric, the girl is drawn on paper with pens, coloured with pastels.
I wasn't too sure about machine embroidering through paper, but I backed it with some sew on interfacing, and it's come through all the embroidery quite nicely, really. A bit holey, but that's to be expected. I'm actually getting relatively decent at machine embroidery! Yay! (Now I have probably cursed myself by saying that.)

I think I will have to go over the pastel colouring, as the intense varigated thread really overpowers her right now. I have to say that even though it is terrible for lint, I really like the valdani thread. I think mostly because of it's heavy weight, especially compared to the fine rayons I used with it. I was never that much for subtlety in line.
Now how to actually make it into a deco...

Monday, 27 June 2005

EEeeeEE!

Petra might be coming to Winnipeg on the farewell tour! A week after my birthday! If this goes through, nothing will keep me away!
I'm so psyched up about this-I thought I'd be broke and of course unable to go a really long distance to a show, and therefore never see them again-but it looks like I will be gainfully employed and...Winnipeg! It's like right there! And I have relatives who live there!
Ah man, the last time I was this foolishly giddy was when I was 15-and found out about the last Petra concert I went to. I'm such a nerd.

heheh this is changing from an arty blog to an 'I reallyreally love PeTrA' blog.

Saturday, 25 June 2005

Adonai


The latest entry in my CIP project. I had a sketchy idea of what I wanted to do, but it didn't really crystalize until I stumbled across the beautiful pieces at Hebrew Art. I fell in love with them! No mine is not nearly as lovely as those. I use the fact that I have no professional training as an excuse. It's not my fault! I do want to buy that artist's calendar now. So pretty.

The background is based mostly on two lines:

Adonai master of the earth and sky (hense earth and sky-duh) and

When the storms surround me speak the word that they will be still.

They were the only two lines that kept running though my head as I did it!

I had some problems with the masking fluid (simply not proficient with that stuff yet!) but over all it turned out okay. Better than I thought it would half-way through, that's for sure.
Not perfect, but I do like it very much.

I'm so glad this one turned out okay; this was my favorite song to sing. :)

Friday, 17 June 2005

Third Time

Was indeed the charm. Yeay finished the panel! Finished with those weird S-like horrible F's! (I had to match a previous panel.)
Here's a pic:

In Memoriam Panel

And a close-up of the I which I finally just decided to make completly different from the original-so there.

Fancy I

and yeah I warned them I might do that...ooh I have to show something 'different' to a bunch of old ladies-I'm beginning to get aprehensive.

Monday, 30 May 2005

Grrr

I managed to get the commission I am doing about 75% done before making an unfixable mistake. I had to do a large lettered memoral panel and had about 60 names finished before I realized I had mixed the names from 2003 and 2004 together. How can I fix that? I'll have to start over again, ruling and all.
I have to write sideways (I'm left-handed)-my hand and neck are killing me and I have nothing to show for it. I am to tired to be as pissed off as I should. I have to admit I had thought I should stop for the night before I got to that part-why didn't I listen to myself?!

**Edit-by the time I get this done I will be a gothic script master! (oops almost wrote mater heheh )
The second time around I decided to widen the bottom margin by one row, and yes that's right, I got to the last five names or so and realized I did not have the room. Attempt three seems to be going better, and the cat now enjoys playing with mistakes one and two on the floor.
I have too many other things to be annoyed and stressed about (Canada freakin Post) to really be bothered by this. This is a new feeling for me...

I do however think that if it gets into the double digits for attempts, I'll start getting a little unhappy (ie throwing things) about it.

Saturday, 21 May 2005

I love New Ideas

It's finishing them once they get old that's the problem.
The beginnings of my Complete Illustrated Petra, which I am staying up nights with good ideas working on. Just wait till I start that tempera piece of St. Augustine.
Oy! Are all artists this obsessive?

Saturday, 14 May 2005

More thoughts on Petra

Outside of just AAAWWWW.
For you non-Petra lovers (weirdos!), just move right along...

I was playing with the idea of creating a Complete Illustrated Petra about a year ago (before life fell in on me) and now that I know they are retiring, I am once again considering it (even with all the smoldering ruins about). Well it may be therapeutic to revisit things that have made me happy, and the music of Petra was certainly one of those things. Plus now I can truly make it 'complete'.

The plan was to compile all the sketches I had done of their songs, add new ones to finish it out and send it to Bob-maybe he'll enjoy seeing some of the odder takes on his tunes. This is what I spent most of my school time doing, BTW; illustrating Petra songs. Petra rocked and school sucked-so not like I felt bad about it or anything. Some of those drawings go all the way back to when I was about thirteen-and no I never throw away priceless treasures like that. I have boxes upon boxes of old drawings. I have no more room and so am now trying to train myself to a sketch book-it is a slow process.

Anyway, at the Guide to Petra site, they set up a tribute page. I decided to write one and it unexpectedly became rather horrendously long-I got all longwinded at the end especially. Then I forgot to add line breaks-duh. **They fixed it! My tribute is now here all nicely formatted. There are a ton of them there now.

Hee, everyone else's is all 'they meant so much to me' and 'they were a big influence on my life', and mine is all theology and Soli Deo Gloria...I'm such a freak. Hopefully I didn't sound like a pretentious prig. I didn't, right? Right?

Thursday, 12 May 2005

AAAAWWWWWW.....

It is Finished

My favorite band since I was 12. Their last album really rocked after a long period of mediocre stuff too...
Ah all good things must come to an end.

Saturday, 16 April 2005

New Sewing Projects

As if I don't have enough of them.
I've decided I absolutely can no longer stand the despicable vertical blinds in my bedroom (I am counting the days till I may burn them!) They always fall down, manage to open up when I'm in my room naked, and are generally uglicious.
So, I am now sewing a curtain. I couldn't possibly have a plain old one, so I am piecing it in a log cabin pattern (basically squares of colour). I'm using a blue and dark brown palette (the colours of my room). The blocks are 16".
I'm not sure what I'm going to line it with yet, but so far the blocks look pretty good.

Wednesday, 13 April 2005

I Finished One!

hotterthanell

A little quilt named "Hotter Than 'Ell" after the incredible Fletcher Henderson song of the same name. I was attempting a 30's deco/cubist style (indicitive of the era of the song itself).

I designed it originally as an ATC, and liked it so much that I translated it into a quilt to send out as a swap with another quilter. It went together quite well considering that I had all these little tightly curved pieces. I do hope it does the song justice. :c)

Thursday, 7 April 2005

A Thought

You know how it is considered truly bad form to liken your opponent in a debate to the Nazis? I propose a variant for that for apologetic debates.

As soon as you say your opponent's position is 'pharisitical' or compare them in any way to 'pharisees', step back and throw your hands up, you have just lost the debate.

I wonder what Rabbinical Jews think of that whole supposed line of defense...

Tuesday, 22 February 2005

The Bauhaus Manifesto

I am still thinking about the art of craft....

I found The Bauhaus Manifesto. Hmmm...

Saturday, 19 February 2005

Red Hot Jazz

I have visited the Red Hot Jazz site many times and find it to be a great site in general, (but then you know I love Red Hot Jazz-so how could it not be?) though the music links had never worked for me.

Since I switched to Firefox, they have begun to work (go figure) and I can listen to Fletcher Henderson to my heart's content!! (which requires a lot of Fletcher Henderson.)

I have always felt that if someone were to take total abandoned joy, distill it down to it's purest form, and put it on a record, it would sound like the Fletcher Henderson Orchestra.

Listen to Shanghai Shuffle or Wrappin it Up-any of them! Yeeeeaaaaayyy! This stuff is basically audio-serotonin. You can't help but love it. If you need to do a happy dance, Hotter than Ell/Yeah Man! should be your sound track.

Which is just what I need right now. Don't we all?

Friday, 18 February 2005

The Inner Critic

As of late, I have seen and participated in many discussions where 'the inner critic' came up. This is the little voice that many artists (and non-artists) hear in the back of the mind, picking out of the flaws in their work. The niggling doubt that insists people only compliment your work because they are 'being nice'. You know.

The inner critic can be a genuine problem for many artists, but I do not like the now familiar meme that I have heard in these discussions, which goes something like this: one must banish him, shut him off or ignore him in order to really create great art.

What?!! While I understand the good intention behind it, that is about the last suggestion I would make. It is perhaps the way to create falsely self-satisfying work, but hardly the way to create work that anyone but your mom would like, much less great work. It is not good advice for any artist.

The inner critic is a fabulous tool if you use him right. Nothing can make you push yourself, challenge your cherished notions, get you out of a rut, or make you work until you do achieve your vision like he does. He always reminds you that as well as you may be doing, you could do better. This is not self defeatist, this is aspiring to excellence. The inner critic believes in you like no one else. And if you enter into the creative process with him, he becomes like iron on iron in conjunction with your determination-he hones you into the artist that he insists you can be.

Some may say, 'well I don't want to be well-known, so it doesn't matter what my art looks like. It is just for me.' You are selling yourself short with that argument. You are saying, 'others deserve powerful and insightful art pieces, but I do not'. Why the heck not? Excellence is not about other people or how they perceive you, as many seem to think. It is about what you are saying about yourself, how you perceive yourself. Is putting out a crappy piece of work good enough for you? It isn't for me, and I can thank the inner critic for pointing that out.

Also, when you make a piece that you are satisfied with, that the inner critic looks at and says 'it's pretty good' (and yes he does do this sometimes!), the feeling of accomplishment is amazing-no outside affirmation can give you that-and in ignoring the inner critic, you never get the feeling of his approval either. It is safer, but I would argue on the whole, much less satisfying.

Having said all that, I do know people whose inner critics have become monsters-nothing they do is right-even beautiful works are judged as garbage. I do not know what the cure for a monster-critic is, and it is very unfortunate situation given all the good the inner critic can do for an artist. As I said earlier, he is a tool, not an end, and certainly should not be the dominant component of your art-making. You might have to 'put him in his place' occasionally.
The thing is-the inner critic should never say-'you'll never be any good'. He should be telling you 'I know you can do better than that'. Then you know you are enjoying a healthy relationship with your inner critic.

This whole 'aspiring to excellence' idea is of course very dear to my heart. I don't want to just say 'ah-good enough'. What's the point of that? This is perhaps the craftsperson's aesthetic that I love so much- it has also earned me a reputation as a bit of an 'art nazi'. But I suppose that is not that far off. Yes my work is judged ruthlessly by me. Then other people's objections come as no surprise.
So says the iron-clad armadillo.

Thursday, 10 February 2005

Hmm the story of my life right now...

Crap.

Monday, 7 February 2005

On a UFO mission...

No I am not hunting down creepy little alien thingers.
I am pulling out several Un-Finished Objects and getting them a little closer to completion. I don't have the means (White fabric!!) to get into any of my newer projects going, so I'm looking to make my 'to-do' pile a little smaller.

I pulled out bluesman today and worked on the left hand. That's my oldest UFO (soon to be four years old) and I will get it done someday. Yes it is an indeterminant point in the future, but it will come. I am going to have to paint it a little as the dyes are migating in the darkest (#6) fabric and it is now the same value as the #4 fabric-and purple. But I am not giving up! It will be done, oh yes, it will be done.

As previously mentioned I have actually gotten the fishy quilt to the binding stage.

I finally got over my annoyance with my glorious DWR and have it in the hoop. I quilt on it when mom and I watch Coronation Street (damn her for getting me addicted to that show! She has watched it for years and years.) This quilt is seriously the reason I started quilting-I wanted a traditional Double Wedding Ring, in the scrappy 30's colourways. I always wanted one. So when we finally got a working sewing machine I started with the quilts. It only took me 5 years to start on it-oh and another year and a half of languishing in the UFO pile. I might have it done by spring.

And there are others. I am such a 'starter'. I know many artists are. You become enamoured of an idea and it is the center of the artistic universe-until the next epiphany comes along. Hopefully the first inspired work is done by that time. If not, it may just find a home in the purgatory of the UFO pile-until such time as you are again inspired-this time to go on a UFO mission.

Friday, 4 February 2005

Bead Buy!!!

A few people on N'ness got together and bought a whole whack of beads from Fire Mountain Gems. My share arrived in the mail today. All I can say is I'm in bead heaven! I am enjoying myself just looking at these babies. Am I the only one gets art-supply induced euphoria?
Sometimes just admiring and handleing my fabrics, yarns, ribbons, fibers and beads is enough. I therefore also love to shop for supplies, even when I'm too broke to buy anything.

With this buy, I finally got to get my hands on those eye beads that I have been coveting for Spirits of the Living Creatures. They are quite small and irregular, not as turquoise as they appeared in the pictures (or in the one below as a matter of fact) , but absolutely perfect for that piece. Now I guess I'll have to actually make it. ahem.
I really need to buy a large piece of dyeing fabric. I only have 5 or 6 pieces that depend on it. This is the problem when you have too many good ideas, you get about as much done as when you don't have any. Well and self induced poverty due to overspending on beads doesn't help either.


Here are the beads!


Eye beads-beaauuttifuull.

I am prioritizing in artistic endevours, believe it or not-I'm concentrating on getting the materials together for the Haus Eines Kunstfreundes quilt. Though this of course is strictly craft and the term 'art' would be an insult to it. I am supposed to be finished it in two months...good thing it's small. Eeeps!

Friday, 14 January 2005

quilt stuff

I am almost finished the dragon/fish quilt. I really don't know what I'll do if I actually get it done after three years. Of course The thing I have to do is bind it, and I have been known to actually use quilts for months before binding. You know how some people farm tops out to be quilted? I'd like to farm whole quilts out to be bound. Tedious and annoying. I always get frustrated with binding.

I was reading a disscussion about machine quilting from the 'front' of the machine, which at first made no sense to me, as I thought 'well you have to quilt from the front anyway.' Then this 'front' quilting was likened to longarm quilting and someone mentioned that it would take getting used to to quilt sideways, and I realized what they were refering to as the front of the machine, I would consider the side.

So anyway, I tried it with this quilt's border (this has just become an experimental quilt). The fact that I had a hard time seeing what I was doing would be the main complaint, rather than getting used to going in a sideways motion. I actually tucked and sewed over the backing-an amateur mistake I haven't made in years-though there were advantages to doing it this way. It was easier to control the bulk of the quilting being chief among them. I'll have to try it a few more times to decide whether it is truly helpful or not.

Also, I found this site and I think it might work much better with the machine recessed like that. I do need a new table, that old one spent many years outside, and seems to like to grab pins while a piece is going by. One of my great nemeses, that table.

Speaking of Nemeses, I found another site, which I found quite useful in helping me get one up on another object of eternal frustration-the bobbin case. I had to try it straight away. It worked. This made me way more happy than it should have.
Like my uncle said, I'll never need a man as long as I have the arts. And bannock.

fractal thingy


Ooo. A thingy I made. I have no idea how I did it. Looks cool though.

Sunday, 2 January 2005

Naalbinding

I actually managed to finish a piece of naalbinding! (yay!) I decided to make a wristicuff as they are simple and easy.
I read of naalbinding ( also nalebinding, nalbinding and a whole slew of other spellings) about five years ago and have been driving myself insane trying to learn it ever since. It is one of the oldest textile processes known, I had to figure it out. Now normally I have always had an aptitude for needle arts, and while it may take a couple of tries, I will get the hang of it. I have always had to teach myself from books and diagrams. But I could find no good diagrams for naalbinding, only pictures of the textile form and instructions to 'get someone who knows this to teach you' (how helpful is that?) Apparently all the experts insist it is very hard to teach yourself (well yeah when no one puts good diagrams or pics together) but getting a teacher is not an option in the middle of nowhere. I don't know why someone doesn't make a video instruction manual; if one needs to be 'shown', that will certainly do it.

Anyway, about six months ago, I found this site. Pictures! Finally! It was an epiphany moment! I could figure it out, after all that time of trying and trying again. The epiphany moment I think is why I do needle art in the first place.
I had to learn to do it right handed as the pictures, which makes me forget the stitches all the time, heheh. I think I will have to figure it out left handed. I do that for most needle arts. I get a tenuous hold on the concept right handed and then switch over to left and become quite competent.
I do have my first successful piece, just a small example, in my 'first try' box, which will eventually be put together in perhaps a crazy quilt.

I was busy doing nothing for the better part of the year, but decided the other day to make a wristband using the stitch on the site from the merino I spun last spring. So here it is on my very cold blotchy arm:
naalbinding